37,39 €
Writing in the Dark, Dancing in The New Yorker
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Writing in the Dark, Dancing in The New Yorker
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37,39 €
The best of America's best writer on dance"Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love." From 1973 until 1996 Arlene Croce was The New Yorker's dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces…
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- Author: Arlene Croce
- Publisher: Farrar, Straus and Giroux
- Year: 2003
- Pages: 720
- ISBN: 9781429930130
- ISBN-10: 1429930136
- ISBN-13: 9781429930130
- Format: ePub
- Language: English
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Description
The best of America's best writer on dance"Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love."
From 1973 until 1996 Arlene Croce was The New Yorker's dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces-over a fourth have never appeared in book form-writings that reverberate with consequence and controversy for the state of the art today.
- Author: Arlene Croce
- Publisher: Farrar, Straus and Giroux
- Year: 2003
- Pages: 720
- ISBN: 9781429930130
- ISBN-10: 1429930136
- ISBN-13: 9781429930130
- Format: ePub
- Language: English English
The best of America's best writer on dance
"Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love."
From 1973 until 1996 Arlene Croce was The New Yorker's dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces-over a fourth have never appeared in book form-writings that reverberate with consequence and controversy for the state of the art today.
"Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love."
From 1973 until 1996 Arlene Croce was The New Yorker's dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces-over a fourth have never appeared in book form-writings that reverberate with consequence and controversy for the state of the art today.
Reviews