A language-, border-, and genre-crossing extravaganza from one of the creators of the postmodern novelOne of Russia’s finest novelists and an heir to the literature of Gogol, Bulgakov, and Nabokov, Andrei Bitov has been widely hailed as a progenitor of the postmodern novel. The Teacher of Symmetry is his love letter to the art of storytelling. Layered with playful games between writer and reader, this delightful, challenging work explores the relationship between an author and his creations, an…
A language-, border-, and genre-crossing extravaganza from one of the creators of the postmodern novel
One of Russia’s finest novelists and an heir to the literature of Gogol, Bulgakov, and Nabokov, Andrei Bitov has been widely hailed as a progenitor of the postmodern novel. The Teacher of Symmetry is his love letter to the art of storytelling. Layered with playful games between writer and reader, this delightful, challenging work explores the relationship between an author and his creations, and the sacrifices that a writer may make out of ardor for his art. Bitov tells us that The Teacher of Symmetry is the “echo” of a British novel that he once read and is now trying to reconstruct through the moth holes of memory and the fog of a foreign tongue. As the book proceeds, we encounter a series of curious episodes: A man meets the devil on a park bench and the devil shows him photographs of the fall of Troy, Shakespeare’s legs, and a terrible event that will take place in his future. A king who reigns over all possible worlds and uses his power to remove stars from the sky turns out to be the compiler of the Encyclopedia Britannica. Villagers squabble over a self-proclaimed space alien, and a literary society decides that it will accept only new members whose works are unwritten. Through it all, Bitov proceeds with the wit and mastery of a fabulist in perfect command of his fables.
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A language-, border-, and genre-crossing extravaganza from one of the creators of the postmodern novel
One of Russia’s finest novelists and an heir to the literature of Gogol, Bulgakov, and Nabokov, Andrei Bitov has been widely hailed as a progenitor of the postmodern novel. The Teacher of Symmetry is his love letter to the art of storytelling. Layered with playful games between writer and reader, this delightful, challenging work explores the relationship between an author and his creations, and the sacrifices that a writer may make out of ardor for his art. Bitov tells us that The Teacher of Symmetry is the “echo” of a British novel that he once read and is now trying to reconstruct through the moth holes of memory and the fog of a foreign tongue. As the book proceeds, we encounter a series of curious episodes: A man meets the devil on a park bench and the devil shows him photographs of the fall of Troy, Shakespeare’s legs, and a terrible event that will take place in his future. A king who reigns over all possible worlds and uses his power to remove stars from the sky turns out to be the compiler of the Encyclopedia Britannica. Villagers squabble over a self-proclaimed space alien, and a literary society decides that it will accept only new members whose works are unwritten. Through it all, Bitov proceeds with the wit and mastery of a fabulist in perfect command of his fables.
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