31,39 €
Rhapsody for the Theatre
Rhapsody for the Theatre
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Rhapsody for the Theatre
Rhapsody for the Theatre
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31,39 €
For Alain Badiou, theatre—unlike cinema—is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorshi…
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  • Publisher:
  • Year: 2013
  • Pages: 160
  • ISBN: 9781781684979
  • ISBN-10: 1781684979
  • ISBN-13: 9781781684979
  • Format: ePub
  • Language: English

Rhapsody for the Theatre (e-book) (used book) | bookbook.eu

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For Alain Badiou, theatre—unlike cinema—is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship.

This definitive collection includes not only Badiou’s pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou’s own work as a playwright, as author of the Ahmed Tetralogy.

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  • Author: Alain Badiou
  • Publisher:
  • Year: 2013
  • Pages: 160
  • ISBN: 9781781684979
  • ISBN-10: 1781684979
  • ISBN-13: 9781781684979
  • Format: ePub
  • Language: English English

For Alain Badiou, theatre—unlike cinema—is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship.

This definitive collection includes not only Badiou’s pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou’s own work as a playwright, as author of the Ahmed Tetralogy.

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