28,89 €
Race and the Revolutionary Impulse in The Spook Who Sat by the Door
Race and the Revolutionary Impulse in The Spook Who Sat by the Door
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Race and the Revolutionary Impulse in The Spook Who Sat by the Door
Race and the Revolutionary Impulse in The Spook Who Sat by the Door
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28,89 €
Ivan Dixon’s 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee’s novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, th…
  • Publisher:
  • Year: 2018
  • Pages: 238
  • ISBN: 9780253031808
  • ISBN-10: 025303180X
  • ISBN-13: 9780253031808
  • Format: ePub
  • Language: English

Race and the Revolutionary Impulse in The Spook Who Sat by the Door (e-book) (used book) | bookbook.eu

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Ivan Dixon’s 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee’s novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists’ press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

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  • Publisher:
  • Year: 2018
  • Pages: 238
  • ISBN: 9780253031808
  • ISBN-10: 025303180X
  • ISBN-13: 9780253031808
  • Format: ePub
  • Language: English English

Ivan Dixon’s 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee’s novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists’ press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

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