3,19 €
Pascal Rousseau
Pascal Rousseau
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Pascal Rousseau
Pascal Rousseau
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3,19 €
In his notebook, philosopher Pascal Rousseau uses the medium of hypnosis and an account of its followers to draw a line from the fin de siècle to the beginning of the twenty-first century. At the moment, hypnosis is applied by various contemporary artists and cultural producers as a neo-conceptual method that transcends the polarity of active-passive and reflects on the historical roots of hypnosis. The opinions of the historic prime fathers of hypnosis, like Arthur d'Anglemont (1821-1898), Pau…
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In his notebook, philosopher Pascal Rousseau uses the medium of hypnosis and an account of its followers to draw a line from the fin de siècle to the beginning of the twenty-first century. At the moment, hypnosis is applied by various contemporary artists and cultural producers as a neo-conceptual method that transcends the polarity of active-passive and reflects on the historical roots of hypnosis. The opinions of the historic prime fathers of hypnosis, like Arthur d'Anglemont (1821-1898), Paul Souriau (1852-1926), and Jean-Martin Charcot (1825-1893), are commented on and discussed in regard to contemporary hypnosis practices in art. As a paradoxical state of being awake, hypnosis influences the creative imagination and the self-perception of its subjects. For more then 120 years it has hovered, as artistic practice and "paradoxical sleep," between identity, collectivity, and utopia. Pascal Rousseau (*1965) is Professor of Contemporary Art History at the Université de Paris I Panthéon-Sorbonne. Language: German/English

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  • Author: Pascal Rousseau
  • Publisher:
  • Year: 2012
  • Pages: 32
  • ISBN: 9783775731096
  • ISBN-10: 3775731091
  • ISBN-13: 9783775731096
  • Format: ePub
  • Language: English, Vokiečių English, Vokiečių

In his notebook, philosopher Pascal Rousseau uses the medium of hypnosis and an account of its followers to draw a line from the fin de siècle to the beginning of the twenty-first century. At the moment, hypnosis is applied by various contemporary artists and cultural producers as a neo-conceptual method that transcends the polarity of active-passive and reflects on the historical roots of hypnosis. The opinions of the historic prime fathers of hypnosis, like Arthur d'Anglemont (1821-1898), Paul Souriau (1852-1926), and Jean-Martin Charcot (1825-1893), are commented on and discussed in regard to contemporary hypnosis practices in art. As a paradoxical state of being awake, hypnosis influences the creative imagination and the self-perception of its subjects. For more then 120 years it has hovered, as artistic practice and "paradoxical sleep," between identity, collectivity, and utopia. Pascal Rousseau (*1965) is Professor of Contemporary Art History at the Université de Paris I Panthéon-Sorbonne. Language: German/English

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