One of the twentieth century’s greatest novelists offers his take on the Spanish classic. The author of Lolita and Pale Fire was not only a master of fiction but a distinguished literary critic as well. In this collection of lectures, which he delivered at Harvard in the early 1950s, Vladimir Nabokov shares insights based on a chapter-by-chapter synopsis of the seventeenth-century novel by Miguel de Cervantes, a timeless classic and one of the most deeply influential works in all of Western l…
One of the twentieth century’s greatest novelists offers his take on the Spanish classic.
The author of Lolita and Pale Fire was not only a master of fiction but a distinguished literary critic as well. In this collection of lectures, which he delivered at Harvard in the early 1950s, Vladimir Nabokov shares insights based on a chapter-by-chapter synopsis of the seventeenth-century novel by Miguel de Cervantes, a timeless classic and one of the most deeply influential works in all of Western literature.
Rejecting the common interpretation of Don Quixote as a warm satire, Nabokov perceives the work as a catalog of cruelty through which the gaunt knight passes. Edited and with a preface by Fredson Bowers, this volume offers “a powerful, critical, and dramatic elaboration of the theme of illusion” (V. S. Pritchett, The New York Review of Books).
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One of the twentieth century’s greatest novelists offers his take on the Spanish classic.
The author of Lolita and Pale Fire was not only a master of fiction but a distinguished literary critic as well. In this collection of lectures, which he delivered at Harvard in the early 1950s, Vladimir Nabokov shares insights based on a chapter-by-chapter synopsis of the seventeenth-century novel by Miguel de Cervantes, a timeless classic and one of the most deeply influential works in all of Western literature.
Rejecting the common interpretation of Don Quixote as a warm satire, Nabokov perceives the work as a catalog of cruelty through which the gaunt knight passes. Edited and with a preface by Fredson Bowers, this volume offers “a powerful, critical, and dramatic elaboration of the theme of illusion” (V. S. Pritchett, The New York Review of Books).
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