39,69 €
From Méliès to New Media
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From Méliès to New Media
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39,69 €
From Méliès to New Media is an exploration of the presence and importance of film history in digital culture. The author demonstrates that new media forms are not only indebted to, but firmly embedded within the traditions and conventions of early film culture. This book presents a comparative examination of pre-cinema and new media: early film experiments with contemporary music videos; silent films and their digital restorations; German Expressionist film and post-noir cinema; French Gothic f…
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- Author: Wendy Haslem
- Publisher: Intellect Books Ltd
- Year: 2019
- Pages: 201
- ISBN: 9781789380316
- ISBN-10: 1789380316
- ISBN-13: 9781789380316
- Format: ePub
- Language: English
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Description
From Méliès to New Media is an exploration of the presence and importance of film history in digital culture. The author demonstrates that new media forms are not only indebted to, but firmly embedded within the traditions and conventions of early film culture. This book presents a comparative examination of pre-cinema and new media: early film experiments with contemporary music videos; silent films and their digital restorations; German Expressionist film and post-noir cinema; French Gothic film and the contemporary digital remake; and more. Using a media archaeology approach, Wendy Haslem envisages the potential of new discoveries that foreground forgotten or marginalized contributions to film history.
- Author: Wendy Haslem
- Publisher: Intellect Books Ltd
- Year: 2019
- Pages: 201
- ISBN: 9781789380316
- ISBN-10: 1789380316
- ISBN-13: 9781789380316
- Format: ePub
- Language: English English
From Méliès to New Media is an exploration of the presence and importance of film history in digital culture. The author demonstrates that new media forms are not only indebted to, but firmly embedded within the traditions and conventions of early film culture. This book presents a comparative examination of pre-cinema and new media: early film experiments with contemporary music videos; silent films and their digital restorations; German Expressionist film and post-noir cinema; French Gothic film and the contemporary digital remake; and more. Using a media archaeology approach, Wendy Haslem envisages the potential of new discoveries that foreground forgotten or marginalized contributions to film history.
Reviews