Reviews
Description
This original book examines the way in which the Romantic period inaugurates a tradition of writing that demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can only be properly appreciated after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the gendering of the poetic canon, and for understanding the work of Wordsworth, Coleridge, Keats, Shelley and Byron, paradigmatic figures of the Romantic poet.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 23d.20:38:41
The discount code is valid when purchasing from 10 €. Discounts do not stack.
This original book examines the way in which the Romantic period inaugurates a tradition of writing that demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can only be properly appreciated after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the gendering of the poetic canon, and for understanding the work of Wordsworth, Coleridge, Keats, Shelley and Byron, paradigmatic figures of the Romantic poet.
Reviews