97,01 €
107,79 €
-10% with code: EXTRA
Women in Polish Cinema
Women in Polish Cinema
97,01
107,79 €
  • We will send in 10–14 business days.
Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish…
  • Publisher:
  • ISBN-10: 1571819487
  • ISBN-13: 9781571819482
  • Format: 15.2 x 22.9 x 1.4 cm, softcover
  • Language: English
  • SAVE -10% with code: EXTRA

Women in Polish Cinema (e-book) (used book) | Ewa Mazierska | bookbook.eu

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Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kędzierzawska, whose work is examined.

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  • Author: Ewa Mazierska
  • Publisher:
  • ISBN-10: 1571819487
  • ISBN-13: 9781571819482
  • Format: 15.2 x 22.9 x 1.4 cm, softcover
  • Language: English English

Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kędzierzawska, whose work is examined.

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