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William Morris and the Kelmscott Press. Aesthetic Resistance in Nineteenth-century Britain as a Redefinition of Socialist Propaganda?
William Morris and the Kelmscott Press. Aesthetic Resistance in Nineteenth-century Britain as a Redefinition of Socialist Propaganda?
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75,89 €
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Seminar paper from the year 2021 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Münster, language: English, abstract: This paper analyzes the Kelmscott Press under William Morris, which formed a form of aesthetic resistance against the commercial print culture in Victorian Britain. The paper discusses if this aesthetic resistance can be understood as an extension of Morris's socialist activism and as a transformation of convent…
  • Publisher:
  • ISBN-10: 334669139X
  • ISBN-13: 9783346691392
  • Format: 14.8 x 21 x 0.2 cm, minkšti viršeliai
  • Language: English
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William Morris and the Kelmscott Press. Aesthetic Resistance in Nineteenth-century Britain as a Redefinition of Socialist Propaganda? (e-book) (used book) | bookbook.eu

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Seminar paper from the year 2021 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Münster, language: English, abstract: This paper analyzes the Kelmscott Press under William Morris, which formed a form of aesthetic resistance against the commercial print culture in Victorian Britain. The paper discusses if this aesthetic resistance can be understood as an extension of Morris's socialist activism and as a transformation of conventional propaganda.

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  • Author: Anonym
  • Publisher:
  • ISBN-10: 334669139X
  • ISBN-13: 9783346691392
  • Format: 14.8 x 21 x 0.2 cm, minkšti viršeliai
  • Language: English English

Seminar paper from the year 2021 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Münster, language: English, abstract: This paper analyzes the Kelmscott Press under William Morris, which formed a form of aesthetic resistance against the commercial print culture in Victorian Britain. The paper discusses if this aesthetic resistance can be understood as an extension of Morris's socialist activism and as a transformation of conventional propaganda.

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