20,69 €
22,99 €
-10% with code: EXTRA
Who's Afraid of Helen of Troy?
Who's Afraid of Helen of Troy?
20,69
22,99 €
  • We will send in 10–14 business days.
David Lazar extends the language of prose poetry, mixing the classical and the high modern, the song and dance man and the Odyssean. Nothing, he finds, is as far apart as we think, except for the chaos and order, innocence and experience. Lazar's voice is a sacred last resort: something's gotta give.The voice in these poems is semi-autobiographical and performative: masked yet emotionally raw. Each poem draws on the features of modernist poetry, using an arch, cadenced sentence as its primary u…
22.99
  • Publisher:
  • ISBN-10: 0990322114
  • ISBN-13: 9780990322115
  • Format: 15 x 22.4 x 0.8 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Who's Afraid of Helen of Troy? (e-book) (used book) | bookbook.eu

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David Lazar extends the language of prose poetry, mixing the classical and the high modern, the song and dance man and the Odyssean. Nothing, he finds, is as far apart as we think, except for the chaos and order, innocence and experience. Lazar's voice is a sacred last resort: something's gotta give.

The voice in these poems is semi-autobiographical and performative: masked yet emotionally raw. Each poem draws on the features of modernist poetry, using an arch, cadenced sentence as its primary unit, but drawing on the Iliad, Odyssey , and other classical myths as part of its internal cosmos.

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  • Author: David Lazar
  • Publisher:
  • ISBN-10: 0990322114
  • ISBN-13: 9780990322115
  • Format: 15 x 22.4 x 0.8 cm, minkšti viršeliai
  • Language: English English

David Lazar extends the language of prose poetry, mixing the classical and the high modern, the song and dance man and the Odyssean. Nothing, he finds, is as far apart as we think, except for the chaos and order, innocence and experience. Lazar's voice is a sacred last resort: something's gotta give.

The voice in these poems is semi-autobiographical and performative: masked yet emotionally raw. Each poem draws on the features of modernist poetry, using an arch, cadenced sentence as its primary unit, but drawing on the Iliad, Odyssey , and other classical myths as part of its internal cosmos.

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