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- Author: Julian Johnson
- Publisher: Oxford University Press, USA
- ISBN-10: 0199755426
- ISBN-13: 9780199755424
- Format: 15.2 x 23.1 x 1.3 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
Praised in The Economist as "heartfelt and finely reasoned...wise, perceptive and inspiring," Who Needs Classical Music? offers a fresh and balanced defense of the value of classical music in contemporary culture. Challenging the many cultural critics who contend that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable, Julian Johnson counters that music is more than just "a matter of taste." Music can provide entertainment or simply serve as background noise. Classical music, he suggests, is shaped by its claim to function as art. It is distinguished by a self-conscious attention to its own materials and their formal patterning. Far from being irrelevant today, Johnson argues, classical music continues to offer rich and engaging insights into our experience of modern life. The paperback edition includes a new preface from the author, bringing his argument up to date. Who Needs Classical Music? will
stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.
EXTRA 10 % discount with code: EXTRA
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- Author: Julian Johnson
- Publisher: Oxford University Press, USA
- ISBN-10: 0199755426
- ISBN-13: 9780199755424
- Format: 15.2 x 23.1 x 1.3 cm, softcover
- Language: English English
Praised in The Economist as "heartfelt and finely reasoned...wise, perceptive and inspiring," Who Needs Classical Music? offers a fresh and balanced defense of the value of classical music in contemporary culture. Challenging the many cultural critics who contend that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable, Julian Johnson counters that music is more than just "a matter of taste." Music can provide entertainment or simply serve as background noise. Classical music, he suggests, is shaped by its claim to function as art. It is distinguished by a self-conscious attention to its own materials and their formal patterning. Far from being irrelevant today, Johnson argues, classical music continues to offer rich and engaging insights into our experience of modern life. The paperback edition includes a new preface from the author, bringing his argument up to date. Who Needs Classical Music? will
stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.
Reviews