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Is there a true classical mode that strains of Western painting have followed since Greek and Roman antiquity? Kenyon Cox thought so and argues his point persuasively throughout this book, as he did in the The Classic Point of View (a Classical America reissue).
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Is there a true classical mode that strains of Western painting have followed since Greek and Roman antiquity? Kenyon Cox thought so and argues his point persuasively throughout this book, as he did in the The Classic Point of View (a Classical America reissue).
Reviews