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- Author: Robert Perry
- Publisher: Dutch Poet Press
- ISBN-10: 0996705694
- ISBN-13: 9780996705691
- Format: 15.2 x 22.9 x 0.8 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
This book is a transcontinental collaborative translation of Vrije uitloop (Free range), a book of Dutch poetry about the environment and the human condition written by Saskia Stehouwer and published by Uitgeverij Marmer in 2016. The translation was done by three poet-translators: Joel Thomas Katz and Robert Perry of Palo Alto, California, and the author Saskia Stehouwer of Amsterdam, The Netherlands. It is accompanied by Field Notes, a collection of discoveries and observations in the form of essays, poetry, and a lively conversation from the poet-translators. During their project, the poet-translators discovered the illuminating concept about being witness. At the Kröller-Müller Museum in the Netherlands, they saw this concept embodied in a sculpture of a large olive tree trunk placed on a pedestal called The Witness (De Getuige) by the Dutch artist Herman de Vries. The sculpture as well as the book demonstrate Nature as Witness, Art as Witness, Artist as Witness.
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- Author: Robert Perry
- Publisher: Dutch Poet Press
- ISBN-10: 0996705694
- ISBN-13: 9780996705691
- Format: 15.2 x 22.9 x 0.8 cm, softcover
- Language: English English
This book is a transcontinental collaborative translation of Vrije uitloop (Free range), a book of Dutch poetry about the environment and the human condition written by Saskia Stehouwer and published by Uitgeverij Marmer in 2016. The translation was done by three poet-translators: Joel Thomas Katz and Robert Perry of Palo Alto, California, and the author Saskia Stehouwer of Amsterdam, The Netherlands. It is accompanied by Field Notes, a collection of discoveries and observations in the form of essays, poetry, and a lively conversation from the poet-translators. During their project, the poet-translators discovered the illuminating concept about being witness. At the Kröller-Müller Museum in the Netherlands, they saw this concept embodied in a sculpture of a large olive tree trunk placed on a pedestal called The Witness (De Getuige) by the Dutch artist Herman de Vries. The sculpture as well as the book demonstrate Nature as Witness, Art as Witness, Artist as Witness.
Reviews