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Here, Baxstrom and Meyers examine how violence and an unmarked, stubbornly persistent conception of nature weave into the fabric of the human in the recent work of three important filmmakers: Werner Herzog, Joshua Oppenheimer (particularly The Act of Killing and The Look of Silence) and Lucien Castaing-Taylor.
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Here, Baxstrom and Meyers examine how violence and an unmarked, stubbornly persistent conception of nature weave into the fabric of the human in the recent work of three important filmmakers: Werner Herzog, Joshua Oppenheimer (particularly The Act of Killing and The Look of Silence) and Lucien Castaing-Taylor.
Reviews