119,78 €
133,09 €
-10% with code: EXTRA
Unspeakable
Unspeakable
119,78
133,09 €
  • We will send in 10–14 business days.
Unspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11 explores the representation of terrorism in plays, novels, and films across the centuries. Time and time again, writers and filmmakers including William Shakespeare, Joseph Conrad, Henry James, Gillo Pontecorvo, Don DeLillo, John Updike, and Steven Spielberg refer to terrorist acts as beyond comprehension, "a deed without a name," but they do not stop there. Instead of creating works that respond to terrorism by providing com…
  • Publisher:
  • ISBN-10: 0367249006
  • ISBN-13: 9780367249007
  • Format: 15.2 x 22.4 x 1.3 cm, softcover
  • Language: English
  • SAVE -10% with code: EXTRA

Unspeakable (e-book) (used book) | Peter C Herman | bookbook.eu

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Unspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11 explores the representation of terrorism in plays, novels, and films across the centuries. Time and time again, writers and filmmakers including William Shakespeare, Joseph Conrad, Henry James, Gillo Pontecorvo, Don DeLillo, John Updike, and Steven Spielberg refer to terrorist acts as beyond comprehension, "a deed without a name," but they do not stop there. Instead of creating works that respond to terrorism by providing comforting narratives reassuring audiences and readers of their moral superiority and the perfidy of the terrorists, these writers and filmmakers confront the unspeakable by attempting to see the world from the terrorist's perspective and by examining the roots of terrorist violence.

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  • Author: Peter C Herman
  • Publisher:
  • ISBN-10: 0367249006
  • ISBN-13: 9780367249007
  • Format: 15.2 x 22.4 x 1.3 cm, softcover
  • Language: English English

Unspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11 explores the representation of terrorism in plays, novels, and films across the centuries. Time and time again, writers and filmmakers including William Shakespeare, Joseph Conrad, Henry James, Gillo Pontecorvo, Don DeLillo, John Updike, and Steven Spielberg refer to terrorist acts as beyond comprehension, "a deed without a name," but they do not stop there. Instead of creating works that respond to terrorism by providing comforting narratives reassuring audiences and readers of their moral superiority and the perfidy of the terrorists, these writers and filmmakers confront the unspeakable by attempting to see the world from the terrorist's perspective and by examining the roots of terrorist violence.

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