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Underworlds Magazine No. 1
Underworlds Magazine No. 1
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23,99 €
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UNDERWORLDS is a tri-annual paperback magazine that seeks to create a bridge between crime fiction (especially, but not neccesarily exclusively, of the noir school) and horror fiction. Because of its general air of emotional and psychological darkness, as well as its frequent themes of hopelessness, betrayal and passions gone wrong, the crime fiction of such writers as Jim Thompson, Cornell Woolrich and David Goodis shares a lot of resonance with horror fiction (some of the above referenced wri…
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  • Publisher:
  • Year: 2002
  • Pages: 108
  • ISBN-10: 193099723X
  • ISBN-13: 9781930997233
  • Format: 19 x 23.5 x 0.6 cm, minkšti viršeliai
  • Language: English
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UNDERWORLDS is a tri-annual paperback magazine that seeks to create a bridge between crime fiction (especially, but not neccesarily exclusively, of the noir school) and horror fiction. Because of its general air of emotional and psychological darkness, as well as its frequent themes of hopelessness, betrayal and passions gone wrong, the crime fiction of such writers as Jim Thompson, Cornell Woolrich and David Goodis shares a lot of resonance with horror fiction (some of the above referenced writers have produced what could arguably called horror fiction in the past, like Thompson's ending to THE GETAWAY and his novel THE KILLER INSIDE ME). UNDERWORLDS (a double edged title, as it has different-yet-similar meanings in both crime and horror fiction) seeks to allow writers the opportunity to explore the nexus between these two genres, and gives readers of both genres a glimpse into the world of the other.

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  • Publisher:
  • Year: 2002
  • Pages: 108
  • ISBN-10: 193099723X
  • ISBN-13: 9781930997233
  • Format: 19 x 23.5 x 0.6 cm, minkšti viršeliai
  • Language: English English

UNDERWORLDS is a tri-annual paperback magazine that seeks to create a bridge between crime fiction (especially, but not neccesarily exclusively, of the noir school) and horror fiction. Because of its general air of emotional and psychological darkness, as well as its frequent themes of hopelessness, betrayal and passions gone wrong, the crime fiction of such writers as Jim Thompson, Cornell Woolrich and David Goodis shares a lot of resonance with horror fiction (some of the above referenced writers have produced what could arguably called horror fiction in the past, like Thompson's ending to THE GETAWAY and his novel THE KILLER INSIDE ME). UNDERWORLDS (a double edged title, as it has different-yet-similar meanings in both crime and horror fiction) seeks to allow writers the opportunity to explore the nexus between these two genres, and gives readers of both genres a glimpse into the world of the other.

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