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- Author: Mark Howitt
- Publisher: Augur Press
- ISBN-10: 1911229052
- ISBN-13: 9781911229056
- Format: 14.8 x 21 x 0.3 cm, minkšti viršeliai
- Language: English
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Description
Much of Mark's poetry is meticulously crafted in a variety of classical forms of metre, structure and style. Although maintaining such forms, he is never satisfied unless the poem flows in both words and sense: in words, so that the reading or recital is smooth and un-laboured; in sense, so that the structure supports the development of the poem in its exploration of the subject. In this way, while walking in the shadows of the great classical poets, he seeks to make his poems manifestations of a particular kind of beauty.Much of Mark's poetry is meticulously crafted in a variety of classical forms of metre, structure and style. Although maintaining such forms, he is never satisfied unless the poem flows in both words and sense: in words, so that the reading or recital is smooth and un-laboured; in sense, so that the structure supports the development of the poem in its exploration of the subject. In this way, while walking in the shadows of the great classical poets, he seeks to make his poems manifestations of a particular kind of beauty.
The promotion ends in 
- Author: Mark Howitt
- Publisher: Augur Press
- ISBN-10: 1911229052
- ISBN-13: 9781911229056
- Format: 14.8 x 21 x 0.3 cm, minkšti viršeliai
- Language: English English
Much of Mark's poetry is meticulously crafted in a variety of classical forms of metre, structure and style. Although maintaining such forms, he is never satisfied unless the poem flows in both words and sense: in words, so that the reading or recital is smooth and un-laboured; in sense, so that the structure supports the development of the poem in its exploration of the subject. In this way, while walking in the shadows of the great classical poets, he seeks to make his poems manifestations of a particular kind of beauty.Much of Mark's poetry is meticulously crafted in a variety of classical forms of metre, structure and style. Although maintaining such forms, he is never satisfied unless the poem flows in both words and sense: in words, so that the reading or recital is smooth and un-laboured; in sense, so that the structure supports the development of the poem in its exploration of the subject. In this way, while walking in the shadows of the great classical poets, he seeks to make his poems manifestations of a particular kind of beauty.
Reviews