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Time, Technology and Narrative Form in Contemporary Us Television Drama
Time, Technology and Narrative Form in Contemporary Us Television Drama
226,34
251,49 €
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Offers a unique and detailed account of new narrative temporalities in television drama by adopting a model of "industrial poetics"Argues that the emergence of new narrative temporalities means that TV drama should be approached through the lens of narrative timeExamines a wide range of narrative temporalities and key texts, including real-time (24), acceleration (Prison Break), non-linear time (Lost), prolepsis (FlashForward), and slowness and retrospection (Mad Men, Rubicon) Situates US telev…
  • Publisher:
  • ISBN-10: 3319631179
  • ISBN-13: 9783319631172
  • Format: 14.8 x 21 x 2.4 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

Time, Technology and Narrative Form in Contemporary Us Television Drama (e-book) (used book) | bookbook.eu

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Offers a unique and detailed account of new narrative temporalities in television drama by adopting a model of "industrial poetics"

Argues that the emergence of new narrative temporalities means that TV drama should be approached through the lens of narrative time

Examines a wide range of narrative temporalities and key texts, including real-time (24), acceleration (Prison Break), non-linear time (Lost), prolepsis (FlashForward), and slowness and retrospection (Mad Men, Rubicon)

Situates US television programmes in a transnational context, and examines contemporary narrative form and the temporal regimes of an increasingly global industry

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  • Author: Jp Kelly
  • Publisher:
  • ISBN-10: 3319631179
  • ISBN-13: 9783319631172
  • Format: 14.8 x 21 x 2.4 cm, hardcover
  • Language: English English

Offers a unique and detailed account of new narrative temporalities in television drama by adopting a model of "industrial poetics"

Argues that the emergence of new narrative temporalities means that TV drama should be approached through the lens of narrative time

Examines a wide range of narrative temporalities and key texts, including real-time (24), acceleration (Prison Break), non-linear time (Lost), prolepsis (FlashForward), and slowness and retrospection (Mad Men, Rubicon)

Situates US television programmes in a transnational context, and examines contemporary narrative form and the temporal regimes of an increasingly global industry

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