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The White Morning
The White Morning
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54,99 €
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1918. Atherton, was an American feminist and writer of social and historical fiction, much of it set in California. She also produced a number of Gothic stories, some of them, such as The Bell in the Fog, were considered significant achievements in the Gothic/supernaturalist tradition. The book begins: Countess Gisela Nieburh sat in the long dusk of Munich staring over at the beautiful park that in happier days had been famous in the world as the Englischer Garten, and deliberately recalled on…
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The White Morning (e-book) (used book) | bookbook.eu

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1918. Atherton, was an American feminist and writer of social and historical fiction, much of it set in California. She also produced a number of Gothic stories, some of them, such as The Bell in the Fog, were considered significant achievements in the Gothic/supernaturalist tradition. The book begins: Countess Gisela Nieburh sat in the long dusk of Munich staring over at the beautiful park that in happier days had been famous in the world as the Englischer Garten, and deliberately recalled on what might be the last night of her life the successive causes that had led to her profound dissatisfaction with her country as a woman. She was so thoroughly disgusted with it as a German that personal grievances were far from necessary to fortify her for the momentous role she was to play with the dawn; but in this rare hour of leisure it amused her naturally introspective mind to rehearse certain episodes whose sum had made her what she was. See other titles by this author available from Kessinger Publishing.

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1918. Atherton, was an American feminist and writer of social and historical fiction, much of it set in California. She also produced a number of Gothic stories, some of them, such as The Bell in the Fog, were considered significant achievements in the Gothic/supernaturalist tradition. The book begins: Countess Gisela Nieburh sat in the long dusk of Munich staring over at the beautiful park that in happier days had been famous in the world as the Englischer Garten, and deliberately recalled on what might be the last night of her life the successive causes that had led to her profound dissatisfaction with her country as a woman. She was so thoroughly disgusted with it as a German that personal grievances were far from necessary to fortify her for the momentous role she was to play with the dawn; but in this rare hour of leisure it amused her naturally introspective mind to rehearse certain episodes whose sum had made her what she was. See other titles by this author available from Kessinger Publishing.

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