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- Author: Min Tian
- Publisher: Palgrave Macmillan
- Year: 2019
- Pages: 313
- ISBN-10: 303040367X
- ISBN-13: 9783030403676
- Format: 14.8 x 21 x 1.7 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
Chapter 1. Lugné-Poe's Orientalism as Part of his Mission as an International Dramatic Prospector.- Chapter 2. Appia's and Craig's Views of the Japanese Theatre.- Chapter 3. The Use of the Noh by Jacques Copeau and Suzzane Bing.- Chapter 4. Theatre of Transposition: Charles Dullin and the East Asian Theatre.- Chapter 5. Authenticity and Usability, or "Welding the Unweldable" Meyerhold's Refraction of the Japanese Theatre.- Chapter 6. How Does the Billy-Goat Produce Milk? Sergei Eisenstein's Disintegration and Reconstitution of Kabuki Theatre.- Chapter 7. "The 'Asiatic' Model" The Brechtian Displacement and Refunctioning of the Japanese Theatre.- Conclusion.
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- Author: Min Tian
- Publisher: Palgrave Macmillan
- Year: 2019
- Pages: 313
- ISBN-10: 303040367X
- ISBN-13: 9783030403676
- Format: 14.8 x 21 x 1.7 cm, softcover
- Language: English English
Chapter 1. Lugné-Poe's Orientalism as Part of his Mission as an International Dramatic Prospector.- Chapter 2. Appia's and Craig's Views of the Japanese Theatre.- Chapter 3. The Use of the Noh by Jacques Copeau and Suzzane Bing.- Chapter 4. Theatre of Transposition: Charles Dullin and the East Asian Theatre.- Chapter 5. Authenticity and Usability, or "Welding the Unweldable" Meyerhold's Refraction of the Japanese Theatre.- Chapter 6. How Does the Billy-Goat Produce Milk? Sergei Eisenstein's Disintegration and Reconstitution of Kabuki Theatre.- Chapter 7. "The 'Asiatic' Model" The Brechtian Displacement and Refunctioning of the Japanese Theatre.- Conclusion.
Reviews