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Through an analysis of Cold War Era films including Border Incident, Where Danger Lives, and Touch of Evil, Stephanie Fuller illustrates how cinema across genres developed an understanding of what the U.S.-Mexico border meant within the American cultural imaginary and the ways in which it worked to produce the border.
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Through an analysis of Cold War Era films including Border Incident, Where Danger Lives, and Touch of Evil, Stephanie Fuller illustrates how cinema across genres developed an understanding of what the U.S.-Mexico border meant within the American cultural imaginary and the ways in which it worked to produce the border.
Reviews