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British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Best remembered, perhaps, as a spinner of mystery tales, this novella-now hard to find in print-is the story of an "elderly schoolboy" squire, a wager, a murder, and the unlikely culprit behind the crime. Comically charming, in the author's notorious droll style, this is an excellent introduction to the genius of Chesterton.
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Best remembered, perhaps, as a spinner of mystery tales, this novella-now hard to find in print-is the story of an "elderly schoolboy" squire, a wager, a murder, and the unlikely culprit behind the crime. Comically charming, in the author's notorious droll style, this is an excellent introduction to the genius of Chesterton.
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