36,62 €
40,69 €
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The Thirty-Six Dramatic Situations (Georges Polti)
The Thirty-Six Dramatic Situations (Georges Polti)
36,62
40,69 €
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The prefaces of many books are more enduring than the letter-press they introduce. It is as if an author's after-thoughts more nearly express his real thoughts than his well-considered, neatly planned succession of chapters. The reason for this, though a natural one, came to me only as I read and re-read the proofs of "The Thirty-six Dramatic Situations" as an author's work is unrolled before him in the type of the galley-proofs, the first sight of the printed words induces a freshness of mind…
  • Publisher:
  • Year: 2007
  • Pages: 204
  • ISBN-10: 160424111X
  • ISBN-13: 9781604241112
  • Format: 19.1 x 23.5 x 1.1 cm, softcover
  • Language: English
  • SAVE -10% with code: EXTRA

The Thirty-Six Dramatic Situations (Georges Polti) (e-book) (used book) | bookbook.eu

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The prefaces of many books are more enduring than the letter-press they introduce. It is as if an author's after-thoughts more nearly express his real thoughts than his well-considered, neatly planned succession of chapters. The reason for this, though a natural one, came to me only as I read and re-read the proofs of "The Thirty-six Dramatic Situations" as an author's work is unrolled before him in the type of the galley-proofs, the first sight of the printed words induces a freshness of mind that is near relative to the fine frenzy of first conception; added to this mental freshness there is a maturity-for are not months of thought behind the chapters of the work?-that makes the author's thoughts as grandparents with the enthusiasms of youth. In the prefaces, then, the authors find outlets to express their own reactions to their own thoughts.

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  • Author: Polti Georges Polti
  • Publisher:
  • Year: 2007
  • Pages: 204
  • ISBN-10: 160424111X
  • ISBN-13: 9781604241112
  • Format: 19.1 x 23.5 x 1.1 cm, softcover
  • Language: English English

The prefaces of many books are more enduring than the letter-press they introduce. It is as if an author's after-thoughts more nearly express his real thoughts than his well-considered, neatly planned succession of chapters. The reason for this, though a natural one, came to me only as I read and re-read the proofs of "The Thirty-six Dramatic Situations" as an author's work is unrolled before him in the type of the galley-proofs, the first sight of the printed words induces a freshness of mind that is near relative to the fine frenzy of first conception; added to this mental freshness there is a maturity-for are not months of thought behind the chapters of the work?-that makes the author's thoughts as grandparents with the enthusiasms of youth. In the prefaces, then, the authors find outlets to express their own reactions to their own thoughts.

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