144,53 €
160,59 €
-10% with code: EXTRA
The Soul of Creation (Shensi)
The Soul of Creation (Shensi)
144,53
160,59 €
  • We will send in 10–14 business days.
This Key Concepts pivot explores the aesthetic concept of 'imaginative contemplation.' Drawing on key literature to provide a comprehensive and systematic study of the term, the book offers a unique analysis and definition of the connotations of the term, describing its aesthetic mentality and examining the issue of imaginative contemplation versus imagination in artistic creative thinking, especially as regards the characteristics of contingent thinking in aesthetics. It focuses on drawing par…
160.59
  • Publisher:
  • ISBN-10: 9811604959
  • ISBN-13: 9789811604959
  • Format: 14.8 x 21 x 1 cm, kieti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

The Soul of Creation (Shensi) (e-book) (used book) | bookbook.eu

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This Key Concepts pivot explores the aesthetic concept of 'imaginative contemplation.' Drawing on key literature to provide a comprehensive and systematic study of the term, the book offers a unique analysis and definition of the connotations of the term, describing its aesthetic mentality and examining the issue of imaginative contemplation versus imagination in artistic creative thinking, especially as regards the characteristics of contingent thinking in aesthetics. It focuses on drawing parallels between imaginative contemplation and aesthetic emotions, aesthetic rationality, and artistic expression as well as aesthetic form. Examining the relationship between imaginative contemplation and the aesthetic configuration, the book provides a valuable introduction to aesthetic theory in Chinese philosophy and art.


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  • Author: Jing Zhang
  • Publisher:
  • ISBN-10: 9811604959
  • ISBN-13: 9789811604959
  • Format: 14.8 x 21 x 1 cm, kieti viršeliai
  • Language: English English

This Key Concepts pivot explores the aesthetic concept of 'imaginative contemplation.' Drawing on key literature to provide a comprehensive and systematic study of the term, the book offers a unique analysis and definition of the connotations of the term, describing its aesthetic mentality and examining the issue of imaginative contemplation versus imagination in artistic creative thinking, especially as regards the characteristics of contingent thinking in aesthetics. It focuses on drawing parallels between imaginative contemplation and aesthetic emotions, aesthetic rationality, and artistic expression as well as aesthetic form. Examining the relationship between imaginative contemplation and the aesthetic configuration, the book provides a valuable introduction to aesthetic theory in Chinese philosophy and art.


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