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Description
Lafcadio Hearn was a writer particularly gifted at translating a foreign aesthetic for a Western audience. Hearn's writing is always lyrical and passionate, and in this collection of essays and tales-not all of which are on subjects Japanese, unlike his most popular works-we see also his most refined workmanship and most intellectual discourse. Whether an extrapolation on Goblin Poetry, a discussion of the existential question, a passionate retelling of a mythic tale, or an illustration of Japan's social philosophy, the pieces herein form a portrait of a man who is taking us somewhere fantastic, but making us feel at home all the way. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidon (1904).
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Lafcadio Hearn was a writer particularly gifted at translating a foreign aesthetic for a Western audience. Hearn's writing is always lyrical and passionate, and in this collection of essays and tales-not all of which are on subjects Japanese, unlike his most popular works-we see also his most refined workmanship and most intellectual discourse. Whether an extrapolation on Goblin Poetry, a discussion of the existential question, a passionate retelling of a mythic tale, or an illustration of Japan's social philosophy, the pieces herein form a portrait of a man who is taking us somewhere fantastic, but making us feel at home all the way. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidon (1904).
Reviews