114,20 €
126,89 €
-10% with code: EXTRA
The Real Chekhov
The Real Chekhov
114,20
126,89 €
  • We will send in 10–14 business days.
What is Chekhov's method of ensuring audience participation? What does his stage direction 'through tears' mean? What happens between the first and second acts of The Seagull? Is there any reason for the despondency in Chekhov's drama? This book, first published in 1972, discusses these questions and many other issues around Chekhov's last four plays. David Magarshack, the leading translator and biography of many of Russia's greatest writers, closely examines Chekhov's work for the relevant fac…
  • Publisher:
  • ISBN-10: 0367726513
  • ISBN-13: 9780367726515
  • Format: 15.6 x 23.4 x 1.4 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

The Real Chekhov (e-book) (used book) | David Magarshack | bookbook.eu

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What is Chekhov's method of ensuring audience participation? What does his stage direction 'through tears' mean? What happens between the first and second acts of The Seagull? Is there any reason for the despondency in Chekhov's drama? This book, first published in 1972, discusses these questions and many other issues around Chekhov's last four plays. David Magarshack, the leading translator and biography of many of Russia's greatest writers, closely examines Chekhov's work for the relevant facts about his writing, and demonstrates that no reliance should be placed on the so-called subtext which can introduce all sorts of irrelevancies arising from pre-conceived ideas about the plays. A careful reading of Chekhov's text itself is all that is needed to correct the familiar distortions of his characters and themes.

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  • Author: David Magarshack
  • Publisher:
  • ISBN-10: 0367726513
  • ISBN-13: 9780367726515
  • Format: 15.6 x 23.4 x 1.4 cm, minkšti viršeliai
  • Language: English English

What is Chekhov's method of ensuring audience participation? What does his stage direction 'through tears' mean? What happens between the first and second acts of The Seagull? Is there any reason for the despondency in Chekhov's drama? This book, first published in 1972, discusses these questions and many other issues around Chekhov's last four plays. David Magarshack, the leading translator and biography of many of Russia's greatest writers, closely examines Chekhov's work for the relevant facts about his writing, and demonstrates that no reliance should be placed on the so-called subtext which can introduce all sorts of irrelevancies arising from pre-conceived ideas about the plays. A careful reading of Chekhov's text itself is all that is needed to correct the familiar distortions of his characters and themes.

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