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The Performance of the Basso Continuo in Italian Baroque Music
57,14 € 
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Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period. Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvis…
63.49
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- Author: Tharald Borgir
- Publisher: University of Rochester Press
- ISBN-10: 083571912X
- ISBN-13: 9780835719124
- Format: 15.2 x 22.9 x 1 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
The Performance of the Basso Continuo in Italian Baroque Music (e-book) (used book) | bookbook.eu
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Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.
Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.EXTRA 10 % discount with code: EXTRA
57,14 €
63,49 €
We will send in 10–14 business days.
The promotion ends in 23d.15:04:07
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Tharald Borgir
- Publisher: University of Rochester Press
- ISBN-10: 083571912X
- ISBN-13: 9780835719124
- Format: 15.2 x 22.9 x 1 cm, minkšti viršeliai
- Language: English English
Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.
Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano.
Reviews