122,75 €
136,39 €
-10% with code: EXTRA
The Krays
The Krays
122,75
136,39 €
  • We will send in 10–14 business days.
Winner of the 1990 Evening Standard Film Award for Best Film Post-war East End London. Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London. Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticis…
136.39
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The Krays (e-book) (used book) | Philip Ridley | bookbook.eu

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Winner of the 1990 Evening Standard Film Award for Best Film



Post-war East End London. Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.

Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

""Ridley...reveals himself most welcomely as a genuinely innovative film maker, untrammelled by conventions and with an individualistic imagination firing on all cylinders."" (The Evening Standard)


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Winner of the 1990 Evening Standard Film Award for Best Film



Post-war East End London. Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.

Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

""Ridley...reveals himself most welcomely as a genuinely innovative film maker, untrammelled by conventions and with an individualistic imagination firing on all cylinders."" (The Evening Standard)


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