34,28 €
38,09 €
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The Judge and the Historian
The Judge and the Historian
34,28
38,09 €
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A bomb, an anarchist's 'accidental death', the murder of a police commissar, and the confession of a former member of Lotta Continua led to seven dubious court cases and a tale of political opportunism and dishonesty. Standing in the tradition of Emile Zola's famous J'accuse polemic against the Dreyfus trial at the end of the nineteenth-century, the historian Carlo Ginzburg draws on his work on witchcraft trials in the sixteenth- and seventeenth-centuries to dissect the weaknesses and contradic…
38.09
  • Publisher:
  • Year: 2002
  • Pages: 216
  • ISBN-10: 1859843719
  • ISBN-13: 9781859843710
  • Format: 13.9 x 19.1 x 1.7 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

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A bomb, an anarchist's 'accidental death', the murder of a police commissar, and the confession of a former member of Lotta Continua led to seven dubious court cases and a tale of political opportunism and dishonesty. Standing in the tradition of Emile Zola's famous J'accuse polemic against the Dreyfus trial at the end of the nineteenth-century, the historian Carlo Ginzburg draws on his work on witchcraft trials in the sixteenth- and seventeenth-centuries to dissect the weaknesses and contradictions of the state's case in this late-twentieth-century political show-trial and reflects more generally on the similarities and differences between the roles of the historian and the judge.

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  • Author: Carlo Ginzburg
  • Publisher:
  • Year: 2002
  • Pages: 216
  • ISBN-10: 1859843719
  • ISBN-13: 9781859843710
  • Format: 13.9 x 19.1 x 1.7 cm, minkšti viršeliai
  • Language: English English

A bomb, an anarchist's 'accidental death', the murder of a police commissar, and the confession of a former member of Lotta Continua led to seven dubious court cases and a tale of political opportunism and dishonesty. Standing in the tradition of Emile Zola's famous J'accuse polemic against the Dreyfus trial at the end of the nineteenth-century, the historian Carlo Ginzburg draws on his work on witchcraft trials in the sixteenth- and seventeenth-centuries to dissect the weaknesses and contradictions of the state's case in this late-twentieth-century political show-trial and reflects more generally on the similarities and differences between the roles of the historian and the judge.

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