- We will send in 10–14 business days.
/images/books/2977784/9780253024954.jpg)
- Author: Robert A Green
- Publisher: Indiana University Press
- ISBN-10: 0253024951
- ISBN-13: 9780253024954
- Format: 15.2 x 22.9 x 0.8 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
The Hurdy-Gurdy in Eighteenth-Century France, Second Edition (e-book) (used book) | bookbook.eu
Reviews
Description
The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 21d.10:15:41
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Robert A Green
- Publisher: Indiana University Press
- ISBN-10: 0253024951
- ISBN-13: 9780253024954
- Format: 15.2 x 22.9 x 0.8 cm, minkšti viršeliai
- Language: English English
The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.
Reviews