77,21 €
85,79 €
-10% with code: EXTRA
The Horn
77,21 € 
- We will send in 10–14 business days.
This mesmerizing tale of a musician’s rise and fall is widely considered the greatest jazz novel ever published Edgar Pool came up with the big bands. He spent the 1930s crisscrossing the country, playing in only the finest dance halls. In those days, a saxophone player was expected to stay on the beat, to swing without getting too hot. But Edgar—whom the young men called “the Horn”—couldn’t help but rebel. His sound was always far-out, never pedestrian. When the bebop revolution came, Edgar wa…
85.79
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- Author: John Clellon Holmes
- Publisher: Literary Licensing, LLC
- Year: 2011
- Pages: 256
- ISBN-10: 1258153238
- ISBN-13: 9781258153236
- Format: 15.2 x 22.9 x 1.4 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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This mesmerizing tale of a musician’s rise and fall is widely considered the greatest jazz novel ever published
Edgar Pool came up with the big bands. He spent the 1930s crisscrossing the country, playing in only the finest dance halls. In those days, a saxophone player was expected to stay on the beat, to swing without getting too hot. But Edgar—whom the young men called “the Horn”—couldn’t help but rebel. His sound was always far-out, never pedestrian. When the bebop revolution came, Edgar was recognized as one of the vanguard. But by then it was already too late; the world had passed the Horn by.
This is the story of jazz in the transition years between swing titans Coleman Hawkins and Lester Young and bop innovators Charlie Parker and Dizzy Gillespie. Rich in the details of a musician’s life—the grind of the road; the flash of inspiration; the seduction of booze, drugs, and willing women—it is also a heart-wrenching portrait of the price an artist pays for being ahead of his time.
Edgar Pool came up with the big bands. He spent the 1930s crisscrossing the country, playing in only the finest dance halls. In those days, a saxophone player was expected to stay on the beat, to swing without getting too hot. But Edgar—whom the young men called “the Horn”—couldn’t help but rebel. His sound was always far-out, never pedestrian. When the bebop revolution came, Edgar was recognized as one of the vanguard. But by then it was already too late; the world had passed the Horn by.
This is the story of jazz in the transition years between swing titans Coleman Hawkins and Lester Young and bop innovators Charlie Parker and Dizzy Gillespie. Rich in the details of a musician’s life—the grind of the road; the flash of inspiration; the seduction of booze, drugs, and willing women—it is also a heart-wrenching portrait of the price an artist pays for being ahead of his time.
EXTRA 10 % discount with code: EXTRA
77,21 €
85,79 €
We will send in 10–14 business days.
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- Author: John Clellon Holmes
- Publisher: Literary Licensing, LLC
- Year: 2011
- Pages: 256
- ISBN-10: 1258153238
- ISBN-13: 9781258153236
- Format: 15.2 x 22.9 x 1.4 cm, minkšti viršeliai
- Language: English English
This mesmerizing tale of a musician’s rise and fall is widely considered the greatest jazz novel ever published
Edgar Pool came up with the big bands. He spent the 1930s crisscrossing the country, playing in only the finest dance halls. In those days, a saxophone player was expected to stay on the beat, to swing without getting too hot. But Edgar—whom the young men called “the Horn”—couldn’t help but rebel. His sound was always far-out, never pedestrian. When the bebop revolution came, Edgar was recognized as one of the vanguard. But by then it was already too late; the world had passed the Horn by.
This is the story of jazz in the transition years between swing titans Coleman Hawkins and Lester Young and bop innovators Charlie Parker and Dizzy Gillespie. Rich in the details of a musician’s life—the grind of the road; the flash of inspiration; the seduction of booze, drugs, and willing women—it is also a heart-wrenching portrait of the price an artist pays for being ahead of his time.
Edgar Pool came up with the big bands. He spent the 1930s crisscrossing the country, playing in only the finest dance halls. In those days, a saxophone player was expected to stay on the beat, to swing without getting too hot. But Edgar—whom the young men called “the Horn”—couldn’t help but rebel. His sound was always far-out, never pedestrian. When the bebop revolution came, Edgar was recognized as one of the vanguard. But by then it was already too late; the world had passed the Horn by.
This is the story of jazz in the transition years between swing titans Coleman Hawkins and Lester Young and bop innovators Charlie Parker and Dizzy Gillespie. Rich in the details of a musician’s life—the grind of the road; the flash of inspiration; the seduction of booze, drugs, and willing women—it is also a heart-wrenching portrait of the price an artist pays for being ahead of his time.
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