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The German Molière Revival and the Comedies of Hugo von Hofmannsthal and Carl Sternheim; Foreword by D.A. Joyce
The German Molière Revival and the Comedies of Hugo von Hofmannsthal and Carl Sternheim; Foreword by D.A. Joyce
178,37
198,19 €
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Although they have yet to be treated together in a comparative study, Hugo von Hofmannsthal and Carl Sternheim had a number of points of convergence in their respective searches for a modern form for the serious comedy. This study documents the collegial relationship between the two authors - in part with previously unpublished archival material -, analyses their respective treatments of Molière's comedies and places this in the context of Molière's reception in the German-speaking countries…
198.19
  • Publisher:
  • ISBN-10: 3631457987
  • ISBN-13: 9783631457986
  • Format: 14.8 x 21 x 1.2 cm, minkšti viršeliai
  • Language: English
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The German Molière Revival and the Comedies of Hugo von Hofmannsthal and Carl Sternheim; Foreword by D.A. Joyce (e-book) (used book) | bookbook.eu

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Although they have yet to be treated together in a comparative study, Hugo von Hofmannsthal and Carl Sternheim had a number of points of convergence in their respective searches for a modern form for the serious comedy. This study documents the collegial relationship between the two authors - in part with previously unpublished archival material -, analyses their respective treatments of Molière's comedies and places this in the context of Molière's reception in the German-speaking countries since the 17th century. What emerges is a new view of the comedies of Hofmannsthal and Sternheim, which sees both dramatists applying the same technique of countermodelling Molière's constellations of comedic figures - a modern critical re-appraisal of the traditional comedic type character.

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  • Author: Dugald Sturges
  • Publisher:
  • ISBN-10: 3631457987
  • ISBN-13: 9783631457986
  • Format: 14.8 x 21 x 1.2 cm, minkšti viršeliai
  • Language: English English

Although they have yet to be treated together in a comparative study, Hugo von Hofmannsthal and Carl Sternheim had a number of points of convergence in their respective searches for a modern form for the serious comedy. This study documents the collegial relationship between the two authors - in part with previously unpublished archival material -, analyses their respective treatments of Molière's comedies and places this in the context of Molière's reception in the German-speaking countries since the 17th century. What emerges is a new view of the comedies of Hofmannsthal and Sternheim, which sees both dramatists applying the same technique of countermodelling Molière's constellations of comedic figures - a modern critical re-appraisal of the traditional comedic type character.

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