- We will send in 10–14 business days.
/images/books/11600560/9781642597837.jpg)
- Author: Martin I Gaughan
- Publisher: Haymarket Books
- ISBN-10: 164259783X
- ISBN-13: 9781642597837
- Format: 15 x 22.6 x 1.8 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary critical contributions of Franz Mehring, representative of the Second, and Karl Wittfogel and Georg Lukacs representing the Third. Both parties focussed on the bourgeois revolutionary cultural heritage and how it might provide examples for emulation. However, after the 1918 November Revolution, a politically radical avant-garde challenged that tradition. Figures and institutions including the Berlin Dadaists, Piscator's proletarian theatre, and Bertolt Brecht, as well as dissident Marxist intellectuals like Karl Korsch and Fritz Sternberg, asked other questions and proposed other answers. Revisiting the contexts and contents of these exchanges allows the reader to understand the serious role allocated to cultural questions in constructing the "third pillar of socialism," its integrative dimension.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 22d.12:06:58
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Martin I Gaughan
- Publisher: Haymarket Books
- ISBN-10: 164259783X
- ISBN-13: 9781642597837
- Format: 15 x 22.6 x 1.8 cm, minkšti viršeliai
- Language: English English
The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary critical contributions of Franz Mehring, representative of the Second, and Karl Wittfogel and Georg Lukacs representing the Third. Both parties focussed on the bourgeois revolutionary cultural heritage and how it might provide examples for emulation. However, after the 1918 November Revolution, a politically radical avant-garde challenged that tradition. Figures and institutions including the Berlin Dadaists, Piscator's proletarian theatre, and Bertolt Brecht, as well as dissident Marxist intellectuals like Karl Korsch and Fritz Sternberg, asked other questions and proposed other answers. Revisiting the contexts and contents of these exchanges allows the reader to understand the serious role allocated to cultural questions in constructing the "third pillar of socialism," its integrative dimension.
Reviews