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The First Collection of Criticism by a Living Female Rock Critic
The First Collection of Criticism by a Living Female Rock Critic
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29,89 €
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Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large. --Annie Clark, St. VincentAn acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First…
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  • Publisher:
  • Pages: 426
  • ISBN-10: 0374538999
  • ISBN-13: 9780374538996
  • Format: 12.7 x 19.6 x 3.3 cm, minkšti viršeliai
  • Language: English
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The First Collection of Criticism by a Living Female Rock Critic (e-book) (used book) | bookbook.eu

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Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large. --Annie Clark, St. Vincent

An acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey.

In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic--published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby--is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.

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  • Author: Jessica Hopper
  • Publisher:
  • Pages: 426
  • ISBN-10: 0374538999
  • ISBN-13: 9780374538996
  • Format: 12.7 x 19.6 x 3.3 cm, minkšti viršeliai
  • Language: English English

Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large. --Annie Clark, St. Vincent

An acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material

Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey.

In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic--published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby--is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.

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