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First major study of the representation of Minerva in the Middle Ages, giving insights into classical reception.
Images of Minerva, the Roman goddess of wisdom, appear frequently in medieval literature, derived from antique culture and literature; redemptress, mistress of the liberal arts, patroness of princes, idol, and Venus' ally. Throughout the high to late Middle Ages, Peter Abelard, Guido delle Colonne, John Gower, Geoffrey Chaucer, and Christine de Pizan, among others, drew on and developed these images, but they are particularly prevalent in a number of fifteenth- and early sixteenth-century English and Scots allegorical and dream-vision poems, including John Lydgate's Reson and Sensuallyte and Temple of Glas, the anonymous Court of Sapience and Assembly of Gods, James I's Kingis Quair, Charles d'Orleans' Fortunes Stabilnes, and William Dunbar's Golden Targe.EXTRA 10 % discount with code: EXTRA
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First major study of the representation of Minerva in the Middle Ages, giving insights into classical reception.
Images of Minerva, the Roman goddess of wisdom, appear frequently in medieval literature, derived from antique culture and literature; redemptress, mistress of the liberal arts, patroness of princes, idol, and Venus' ally. Throughout the high to late Middle Ages, Peter Abelard, Guido delle Colonne, John Gower, Geoffrey Chaucer, and Christine de Pizan, among others, drew on and developed these images, but they are particularly prevalent in a number of fifteenth- and early sixteenth-century English and Scots allegorical and dream-vision poems, including John Lydgate's Reson and Sensuallyte and Temple of Glas, the anonymous Court of Sapience and Assembly of Gods, James I's Kingis Quair, Charles d'Orleans' Fortunes Stabilnes, and William Dunbar's Golden Targe.
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