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Introduction.-PART 1.-Chapter 1.- Women and documentary.- Chapter 2.-The 'Female Gaze'.-Chapter 3 Aesthetics and the influence of gender.- Chapter 4 Feminisms, Feminist Theory and Documentary Practice.- Part 2 Case Studies: female documentary directors in focus.- Chapter 5.- Documentary as Artform: Pirjo Honkasalo's Cinematic Poetics.- Chapter 6.-Transnational Feminism in the Cinema of Kim Longinotto.- Chapter 7.-Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze.- Chapter 8.- Marie Mandy: Female Subjectivity and Aesthetics.- Chapter 9.- A View from the Margins: the films of Nancy D Kates.- Chapter 10.- Armstrong.
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Introduction.-PART 1.-Chapter 1.- Women and documentary.- Chapter 2.-The 'Female Gaze'.-Chapter 3 Aesthetics and the influence of gender.- Chapter 4 Feminisms, Feminist Theory and Documentary Practice.- Part 2 Case Studies: female documentary directors in focus.- Chapter 5.- Documentary as Artform: Pirjo Honkasalo's Cinematic Poetics.- Chapter 6.-Transnational Feminism in the Cinema of Kim Longinotto.- Chapter 7.-Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze.- Chapter 8.- Marie Mandy: Female Subjectivity and Aesthetics.- Chapter 9.- A View from the Margins: the films of Nancy D Kates.- Chapter 10.- Armstrong.
Reviews