21,23 €
23,59 €
-10% with code: EXTRA
The End of Lucie Pellegrin
21,23 € 
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Originally published as La Fin de Lucie Pellegrin, in serial form, in Le Réveil littéraire et artistique, in 1875, and here presented for the first time in English, in a translation by Richard Robinson, The End of Lucie Pellegrin is one of the earliest works of Paul Alexis, one of the foremost disciples of Ãmile Zola. Inspired by a conversation the author overheard between four women at a common restaurant on the rue Germain-Pilon, this Naturalist novella tells, with exemplar…
23.59
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- Author: Paul Alexis
- Publisher: Snuggly Books
- Year: 2020
- Pages: 78
- ISBN-10: 1645250431
- ISBN-13: 9781645250432
- Format: 12.7 x 17.8 x 0.5 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
Originally published as La Fin de Lucie Pellegrin, in serial form, in Le Réveil littéraire et artistique, in 1875, and here presented for the first time in English, in a translation by Richard Robinson, The End of Lucie Pellegrin is one of the earliest works of Paul Alexis, one of the foremost disciples of Ãmile Zola.
Inspired by a conversation the author overheard between four women at a common restaurant on the rue Germain-Pilon, this Naturalist novella tells, with exemplary style and symmetry, the story of a courtesan of the lower classes. A valuable document of experimental storytelling, this study of Parisian mores is long overdue for rehabilitation.
The promotion ends in 
- Author: Paul Alexis
- Publisher: Snuggly Books
- Year: 2020
- Pages: 78
- ISBN-10: 1645250431
- ISBN-13: 9781645250432
- Format: 12.7 x 17.8 x 0.5 cm, minkšti viršeliai
- Language: English English
Originally published as La Fin de Lucie Pellegrin, in serial form, in Le Réveil littéraire et artistique, in 1875, and here presented for the first time in English, in a translation by Richard Robinson, The End of Lucie Pellegrin is one of the earliest works of Paul Alexis, one of the foremost disciples of Ãmile Zola.
Inspired by a conversation the author overheard between four women at a common restaurant on the rue Germain-Pilon, this Naturalist novella tells, with exemplary style and symmetry, the story of a courtesan of the lower classes. A valuable document of experimental storytelling, this study of Parisian mores is long overdue for rehabilitation.
Reviews