27,44 €
30,49 €
-10% with code: EXTRA
The Emancipated Spectator
27,44 € 
- We will send in 10–14 business days.
The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance. In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the…
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- Author: Jacques Ranciere
- Publisher: Verso
- Pages: 134
- ISBN-10: 1788739647
- ISBN-13: 9781788739641
- Format: 12.7 x 19.6 x 1.3 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.
In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?EXTRA 10 % discount with code: EXTRA
27,44 €
30,49 €
We will send in 10–14 business days.
The promotion ends in 21d.04:18:14
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Jacques Ranciere
- Publisher: Verso
- Pages: 134
- ISBN-10: 1788739647
- ISBN-13: 9781788739641
- Format: 12.7 x 19.6 x 1.3 cm, minkšti viršeliai
- Language: English English
The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.
In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?
Reviews