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- Author: Amy Muse
- Publisher: Methuen Drama
- ISBN-10: 135031997X
- ISBN-13: 9781350319974
- Format: 14 x 21.6 x 1.3 cm, kieti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
In the first book-length study of Annie Baker, one of the most critically acclaimed playwrights in the United States today and winner of the 2014 Pulitzer Prize, a Guggenheim Fellowship and a MacArthur "genius" grant, Amy Muse analyzes Baker's plays and other work. She illuminates their intellectual and ethical themes and issues by contextualizing them with the other works of theatre, art, theology, and psychology that Baker read while writing them.
This volume argues that Baker is finely attuned to the language of the everyday: imperfect, halting, marked with unexpressed desires, banalities, and silence. Called "antitheatrical," these plays draw us back to the essence of theatre: space, time, and story, sitting with others in real time, witnessing the dramatic in the ordinary lives of ordinary people. Baker's revolution for the stage has been to slow it down and bring us all into the mystery and pleasure of attention. Through close discussions of Baker's plays, this book immerses readers in her use of everyday language, her themes of loneliness, desire, empathy, and storytelling, and her innovations with stage time. Enriched by interviews and engaging essays by three scholars, Thomas Butler, Jeanmarie Higgins, and Katherine Weiss, this is a companionable guide for students of American literature and theatre studies, which deepens their knowledge and appreciation of Baker's dramatic invention.EXTRA 10 % discount with code: EXTRA
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- Author: Amy Muse
- Publisher: Methuen Drama
- ISBN-10: 135031997X
- ISBN-13: 9781350319974
- Format: 14 x 21.6 x 1.3 cm, kieti viršeliai
- Language: English English
In the first book-length study of Annie Baker, one of the most critically acclaimed playwrights in the United States today and winner of the 2014 Pulitzer Prize, a Guggenheim Fellowship and a MacArthur "genius" grant, Amy Muse analyzes Baker's plays and other work. She illuminates their intellectual and ethical themes and issues by contextualizing them with the other works of theatre, art, theology, and psychology that Baker read while writing them.
This volume argues that Baker is finely attuned to the language of the everyday: imperfect, halting, marked with unexpressed desires, banalities, and silence. Called "antitheatrical," these plays draw us back to the essence of theatre: space, time, and story, sitting with others in real time, witnessing the dramatic in the ordinary lives of ordinary people. Baker's revolution for the stage has been to slow it down and bring us all into the mystery and pleasure of attention. Through close discussions of Baker's plays, this book immerses readers in her use of everyday language, her themes of loneliness, desire, empathy, and storytelling, and her innovations with stage time. Enriched by interviews and engaging essays by three scholars, Thomas Butler, Jeanmarie Higgins, and Katherine Weiss, this is a companionable guide for students of American literature and theatre studies, which deepens their knowledge and appreciation of Baker's dramatic invention.
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