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- Author: Anonym
- Publisher: GRIN Verlag
- Year: 2021
- Pages: 38
- ISBN-10: 3346524086
- ISBN-13: 9783346524089
- Format: 14.8 x 21 x 0.2 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
The Decentralization of Cultural Identity and its Depiction in Cinema. Family and Migration on Film (e-book) (used book) | bookbook.eu
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Bachelor Thesis from the year 2021 in the subject Cultural Studies - Pacific Rim, grade: 1,7, University of Bremen, course: English-Speaking-Cultures, language: English, abstract: This thesis aims to investigate how the medium of film thematizes the issue of the decentralization of cultural identity based on Indian immigrant families in the film The Namesake by Mira Nair. The intent behind this paper's focus on family is to include not only first-generation immigrants that undergo a change regarding their identity but also the likewise affected second-generation immigrants within these families. On that note, it is evident that, in order to answer the question of how film approaches the issue of the decentralization of cultural identity, an adequate case example is required to represent that subject matter sufficiently. The selected film The Namesake by Mira Nair possesses the vital attribute of showcasing a persuasive display of clashing cultural identities and puts emphasis on the topic of migration.
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- Author: Anonym
- Publisher: GRIN Verlag
- Year: 2021
- Pages: 38
- ISBN-10: 3346524086
- ISBN-13: 9783346524089
- Format: 14.8 x 21 x 0.2 cm, minkšti viršeliai
- Language: English English
Bachelor Thesis from the year 2021 in the subject Cultural Studies - Pacific Rim, grade: 1,7, University of Bremen, course: English-Speaking-Cultures, language: English, abstract: This thesis aims to investigate how the medium of film thematizes the issue of the decentralization of cultural identity based on Indian immigrant families in the film The Namesake by Mira Nair. The intent behind this paper's focus on family is to include not only first-generation immigrants that undergo a change regarding their identity but also the likewise affected second-generation immigrants within these families. On that note, it is evident that, in order to answer the question of how film approaches the issue of the decentralization of cultural identity, an adequate case example is required to represent that subject matter sufficiently. The selected film The Namesake by Mira Nair possesses the vital attribute of showcasing a persuasive display of clashing cultural identities and puts emphasis on the topic of migration.
Reviews