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27,59 €
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The Concerto Form
The Concerto Form
24,83
27,59 €
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Born in 1977, Anthony Hawley grew up in New England and was educated at Columbia University. 'The Concerto Form' is his first collection. He has a B.A. in Italian Literature, and has also translated the Italian poet, Andrea Zanzotto, He now teaches at the University of Nebraska-Lincoln, and is also one of the editors of the literary journal, 'FENCE". Ann Lauterbach said of this manuscript: "The poems in 'The Concerto Form' are made of close harmonies and intimate elisions as taut as the strings…
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  • ISBN-10: 0907562841
  • ISBN-13: 9780907562849
  • Format: 14 x 21.6 x 0.6 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

The Concerto Form (e-book) (used book) | Anthony Hawley | bookbook.eu

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Born in 1977, Anthony Hawley grew up in New England and was educated at Columbia University. 'The Concerto Form' is his first collection. He has a B.A. in Italian Literature, and has also translated the Italian poet, Andrea Zanzotto, He now teaches at the University of Nebraska-Lincoln, and is also one of the editors of the literary journal, 'FENCE". Ann Lauterbach said of this manuscript: "The poems in 'The Concerto Form' are made of close harmonies and intimate elisions as taut as the strings of a violin; their muted, contracted sonorities seem to vibrate with a desire to find solace in the grammar of perception...."

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  • Author: Anthony Hawley
  • Publisher:
  • ISBN-10: 0907562841
  • ISBN-13: 9780907562849
  • Format: 14 x 21.6 x 0.6 cm, minkšti viršeliai
  • Language: English English

Born in 1977, Anthony Hawley grew up in New England and was educated at Columbia University. 'The Concerto Form' is his first collection. He has a B.A. in Italian Literature, and has also translated the Italian poet, Andrea Zanzotto, He now teaches at the University of Nebraska-Lincoln, and is also one of the editors of the literary journal, 'FENCE". Ann Lauterbach said of this manuscript: "The poems in 'The Concerto Form' are made of close harmonies and intimate elisions as taut as the strings of a violin; their muted, contracted sonorities seem to vibrate with a desire to find solace in the grammar of perception...."

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