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The Cinema of Steven Spielberg
The Cinema of Steven Spielberg
215,54
239,49 €
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Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilificationm - often vitriolic - for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consiste…
239.49
  • Publisher:
  • Year: 2007
  • Pages: 224
  • ISBN-10: 1904764894
  • ISBN-13: 9781904764892
  • Format: 16.5 x 23.8 x 3.6 cm, kieti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

The Cinema of Steven Spielberg (e-book) (used book) | bookbook.eu

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Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilificationm - often vitriolic - for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

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  • Author: Nigel Morris
  • Publisher:
  • Year: 2007
  • Pages: 224
  • ISBN-10: 1904764894
  • ISBN-13: 9781904764892
  • Format: 16.5 x 23.8 x 3.6 cm, kieti viršeliai
  • Language: English English

Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilificationm - often vitriolic - for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

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