236,51 €
262,79 €
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The Chinese Lyric Sequence
The Chinese Lyric Sequence
236,51
262,79 €
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The approach of this study is essentially a form of structural, or perhaps "constructural," semiotics; it examines what holds the literary text together in the face of its propensity to unravel. Specifically, it looks at a nearly invisible Chinese literary form in a comparative perspective by bringing one type of artifactuality (academic inquiry in English) to bear on a very different sort (Chinese lyricism), thereby illuminating the dynamics of the latter in the cross-light of the former. This…
262.79
  • Publisher:
  • Pages: 412
  • ISBN-10: 1621964787
  • ISBN-13: 9781621964780
  • Format: 15.2 x 22.9 x 2.7 cm, kieti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

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The approach of this study is essentially a form of structural, or perhaps "constructural," semiotics; it examines what holds the literary text together in the face of its propensity to unravel. Specifically, it looks at a nearly invisible Chinese literary form in a comparative perspective by bringing one type of artifactuality (academic inquiry in English) to bear on a very different sort (Chinese lyricism), thereby illuminating the dynamics of the latter in the cross-light of the former. This is in no way a dismissal of indigenous, culturally intimate ways of knowing the works, nor is it a denial of the cross-current of contradiction and divergence that is always working against the form, always preventing a final interpretation. The aim of this study is to find a middle ground where this methodological cross-light will show the aesthetic whole, along with its inherent disruptions, as a construction that fits patterns of meaning that are culturally and historically bound, even if unstated: the Chinese lyric sequence.

This is an important book for scholars studying Chinese literature, comparative literature, world literature, and poetry-painting.

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  • Author: Joseph R Allen
  • Publisher:
  • Pages: 412
  • ISBN-10: 1621964787
  • ISBN-13: 9781621964780
  • Format: 15.2 x 22.9 x 2.7 cm, kieti viršeliai
  • Language: English English

The approach of this study is essentially a form of structural, or perhaps "constructural," semiotics; it examines what holds the literary text together in the face of its propensity to unravel. Specifically, it looks at a nearly invisible Chinese literary form in a comparative perspective by bringing one type of artifactuality (academic inquiry in English) to bear on a very different sort (Chinese lyricism), thereby illuminating the dynamics of the latter in the cross-light of the former. This is in no way a dismissal of indigenous, culturally intimate ways of knowing the works, nor is it a denial of the cross-current of contradiction and divergence that is always working against the form, always preventing a final interpretation. The aim of this study is to find a middle ground where this methodological cross-light will show the aesthetic whole, along with its inherent disruptions, as a construction that fits patterns of meaning that are culturally and historically bound, even if unstated: the Chinese lyric sequence.

This is an important book for scholars studying Chinese literature, comparative literature, world literature, and poetry-painting.

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