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The Analysis of Beauty
The Analysis of Beauty
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49,89 €
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Why do we consider some things beautiful and others ugly, some elegant and others awkward? English artist and satirist WILLIAM HOGARTH (1697-1764), who was so innovative that he invented what we call today the comic strip, was famous-some of his contemporaries would have said "infamous"-for his skewering of 18th-century ideals of morality and sexuality, especially those prevalent among the upper classes. And in this 1753 classic, he mounted an argument that might have appalled some of his detra…
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  • ISBN-10: 1605209546
  • ISBN-13: 9781605209548
  • Format: 12.7 x 20.3 x 1.4 cm, minkšti viršeliai
  • Language: English
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Why do we consider some things beautiful and others ugly, some elegant and others awkward? English artist and satirist WILLIAM HOGARTH (1697-1764), who was so innovative that he invented what we call today the comic strip, was famous-some of his contemporaries would have said "infamous"-for his skewering of 18th-century ideals of morality and sexuality, especially those prevalent among the upper classes. And in this 1753 classic, he mounted an argument that might have appalled some of his detractors: that beauty is not a matter of taste and fashion, but arises naturally as a matter of certain inviolate rules. Decrying the "prejudice and self-opinion prejudices our sight," Hogarth explores the six principles he sees as guiding our eyes toward true beauty: fitness, variety, regularity, simplicity, intricacy, and quantity. Artists and students of both art history and 18th century culture will find this essential and fascinating reading.

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  • Author: William Hogarth
  • Publisher:
  • ISBN-10: 1605209546
  • ISBN-13: 9781605209548
  • Format: 12.7 x 20.3 x 1.4 cm, minkšti viršeliai
  • Language: English English

Why do we consider some things beautiful and others ugly, some elegant and others awkward? English artist and satirist WILLIAM HOGARTH (1697-1764), who was so innovative that he invented what we call today the comic strip, was famous-some of his contemporaries would have said "infamous"-for his skewering of 18th-century ideals of morality and sexuality, especially those prevalent among the upper classes. And in this 1753 classic, he mounted an argument that might have appalled some of his detractors: that beauty is not a matter of taste and fashion, but arises naturally as a matter of certain inviolate rules. Decrying the "prejudice and self-opinion prejudices our sight," Hogarth explores the six principles he sees as guiding our eyes toward true beauty: fitness, variety, regularity, simplicity, intricacy, and quantity. Artists and students of both art history and 18th century culture will find this essential and fascinating reading.

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