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The Airs, Duets, Chorusses, &c. in the New Musical Farce of Love in a Camp, or Patrick in Prussia; Performed at the Theatre-Royal in Covent Garden. Written by the Author of the Poor Soldier, &c. the Music by Mr. Shields.
The Airs, Duets, Chorusses, &c. in the New Musical Farce of Love in a Camp, or Patrick in Prussia; Performed at the Theatre-Royal in Covent Garden. Written by the Author of the Poor Soldier, &c. the Music by Mr. Shields.
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them…
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The Airs, Duets, Chorusses, &c. in the New Musical Farce of Love in a Camp, or Patrick in Prussia; Performed at the Theatre-Royal in Covent Garden. Written by the Author of the Poor Soldier, &c. the Music by Mr. Shields. (e-book) (used book) | bookbook.eu

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Harvard University Houghton Library

N002572

Author of 'The poor soldier' = John O'Keeffe. 'Love in a camp' was first published as 'Patrick in Prussia; or, love in a camp'. Without the music. A shortened edition, containing thirteen songs, with the titlepage and "Dramatis personæ" being cancels taken from the fifteen song edition published in the same year.

London: printed for T. Cadell, 1786. 24p.; 8°

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Harvard University Houghton Library

N002572

Author of 'The poor soldier' = John O'Keeffe. 'Love in a camp' was first published as 'Patrick in Prussia; or, love in a camp'. Without the music. A shortened edition, containing thirteen songs, with the titlepage and "Dramatis personæ" being cancels taken from the fifteen song edition published in the same year.

London: printed for T. Cadell, 1786. 24p.; 8°

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