- We will send in 10–14 business days.
/images/books/14448438/9781474451727.jpg)
- Author: Helen Wheatley
- Publisher: Edinburgh University Press
- ISBN-10: 1474451721
- ISBN-13: 9781474451727
- Format: 15.6 x 23.4 x 1.9 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead.
Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama.
Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma.
Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds' and images' propensity to 'bring back the dead'. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 15d.23:40:11
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Helen Wheatley
- Publisher: Edinburgh University Press
- ISBN-10: 1474451721
- ISBN-13: 9781474451727
- Format: 15.6 x 23.4 x 1.9 cm, hardcover
- Language: English English
Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead.
Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama.
Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma.
Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds' and images' propensity to 'bring back the dead'. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
Reviews