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39,89 €
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Talking Music
Talking Music
35,90
39,89 €
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Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn--many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage re…
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Talking Music (e-book) (used book) | William Duckworth | bookbook.eu

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Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn--many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators.

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  • Author: William Duckworth
  • Publisher:
  • ISBN-10: 0306808935
  • ISBN-13: 9780306808937
  • Format: 15.8 x 23.4 x 2.4 cm, softcover
  • Language: English English

Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn--many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators.

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