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Introduction.- The Visible and the Invisible: Edward Yong's Taipei Trilogy.- The Ruin, Body, and Time-image in Tsai Ming-Liang's Films: The Wayward Cloud, What Time Is It There, and I Don't Want to Sleep Alone.- Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7.- Mourning Love: Queer Performativity and Transformation in Zero Chou's Spider Lilies and Splendid Float.- Aesthetics of Violence and Elegy for the Young: Chang Tsuo-chi's Gang Trilogy.- Repressed Memories and the Unhomely in Chung Mong-hong's Children Trilogy.
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Introduction.- The Visible and the Invisible: Edward Yong's Taipei Trilogy.- The Ruin, Body, and Time-image in Tsai Ming-Liang's Films: The Wayward Cloud, What Time Is It There, and I Don't Want to Sleep Alone.- Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7.- Mourning Love: Queer Performativity and Transformation in Zero Chou's Spider Lilies and Splendid Float.- Aesthetics of Violence and Elegy for the Young: Chang Tsuo-chi's Gang Trilogy.- Repressed Memories and the Unhomely in Chung Mong-hong's Children Trilogy.
Reviews