- We will send in 10–14 business days.
/images/books/12062099/9781731529510.jpg)
- Author: David Michaels
- Publisher: INDEPENDENTLY PUBLISHED
- ISBN-10: 1731529511
- ISBN-13: 9781731529510
- Format: 21.6 x 27.9 x 0.2 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
This play is for use in college theater classes and auditions. It is excellent for voice-acting practice or auditioning for a narrative part. If performed, there is a minimum of props and scenery, furthermore, so use of it in a small theater class involving all the necessary parts of a play practiced at once (lighting, scenery, painting, stage preparation and changing the set between scenes, building of a small number of props, hard work for one actor and one voice actor part voice practice. The One-Act is not a musical. The actor in the play uses a great deal of clarified body language in addition to his lines, whereas the second actor only concentrates on voice inflection, and only appears on stage minimally in a support role. Due to adult themes this play is not suitable for high school. There is mention of mental challenges, bullying, suicide, overcoming mental illness, passion (mostly non-sexual), and disillusionment with defunct establishment elements. The experiences are real-life and not contrived, which can provide rich discussion possibilities if the script is used in a university literature class.
The promotion ends in 
- Author: David Michaels
- Publisher: INDEPENDENTLY PUBLISHED
- ISBN-10: 1731529511
- ISBN-13: 9781731529510
- Format: 21.6 x 27.9 x 0.2 cm, minkšti viršeliai
- Language: English English
This play is for use in college theater classes and auditions. It is excellent for voice-acting practice or auditioning for a narrative part. If performed, there is a minimum of props and scenery, furthermore, so use of it in a small theater class involving all the necessary parts of a play practiced at once (lighting, scenery, painting, stage preparation and changing the set between scenes, building of a small number of props, hard work for one actor and one voice actor part voice practice. The One-Act is not a musical. The actor in the play uses a great deal of clarified body language in addition to his lines, whereas the second actor only concentrates on voice inflection, and only appears on stage minimally in a support role. Due to adult themes this play is not suitable for high school. There is mention of mental challenges, bullying, suicide, overcoming mental illness, passion (mostly non-sexual), and disillusionment with defunct establishment elements. The experiences are real-life and not contrived, which can provide rich discussion possibilities if the script is used in a university literature class.
Reviews